Expanding its work around issues of equity and inclusion in classical music, the Sphinx Organization has launched EXIGENCE, a new professional vocal ensemble made up of singers of color. What were the impulses that led to the creation of EXIGENCE? Why is this development important to the choral field?
In early 20th-century Chicago, the intersection of classical and gospel church traditions gave birth to the modern gospel chorus movement. This history has made Chicago the gospel choir capital of the world—and continues to have an impact on ensemble singing today.
With this issue of the Research Memorandum Series, Matthew Bumbach assumes the editorship. The issue focuses on restoring Renaissance repertoire for women’s ensembles using the convent archives of Spain. Compiled by Kathryn Longo.
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In an effort to renew our understanding of the roles, responsibilities, and challenges choral conductors encounter and how they affect the choral ecosystem, Chorus America undertook a new study, updating survey findings from a decade ago. The results highlight both important challenges and reasons to feel confident about the health of the profession.
Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. These key findings provide an overview of both important challenges and reasons to feel confident about the health of the profession, as well as developments since Chorus America's first choral conductor survey over a decade ago. Access the full report, available to Chorus America members, here.
When Susan McMane was in high school, she probably spent about as much time chanting “two, four, six, eight” as she did singing “do, re, mi.”
With this issue of the American Choral Review, Timothy Newton assumes the editorship. The lead article examines new perspectives on Howells’ compositional activity in America by presenting three case studies. The issue also includes a concert report from Hamburg's Elbphilharmonie, and reviews of recent recordings The Wonder of Christmas and The ABC’s of Russian Diction.
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If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Choosing the right primary teacher at college or conservatory is one of the most important decisions a music student will make in their musical career, according to Deborah Simpkin King. A conductor and educator, King is artistic director and founder of Schola Cantorum on Hudson and its Conducting and Choral Scholar programs. Her tips on finding the perfect fit with a teacher for undergraduate or graduate studies are a great resource to share with young conductors and singers.
Choral conductor Robert Shafer reflects on his many experiences over the span of his 50 years in the Washington, DC choral community with choral singer and writer Michael Doan.
David Hagen has a deep sense of belonging to the place he was raised. “I'm just an Alaska lover,” he says. “I love the wilderness, and it's something that's a critical part of my life.”
