History

The Brahms Requiem served as the artistic focal point of Chorus America’s Robert Shaw Centenary Symposium, which centered around the Atlanta Symphony Orchestra and Chorus’s April 2016 performance of this masterwork. Symposium faculty shared their thoughts on issues conductors ought to address as they prepare the piece.

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This issue of the Research Memorandum Series focuses on the compositions of internationally known composer Arvo Pärt. After a brief biography of the world renowned Estonian composer, compiler Mark Vuorinen lists Pärt’s complete current choral compositions, both unaccompanied and accompanied. This issue places into one convenient document the choral output of this seminal artist.

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“The phenomenon of a gay men’s chorus is a vital part of the musical fabric of our society. It is not a gimmick to draw a crowd. We have always just wanted to put on great concerts – and make a difference while doing it.”

This issue of the American Choral Review looks at composer Zakaria Paliashvili's setting of Liturgy of St. John Chrysostom. Co-authors John A. Graham and Parker Jayne explore Paliashvili's Georgian influences and how his version fell into obscurity after the Russain Revolution.

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A Conversation with Deke Sharon and Josh Habermann

At the opening session of Chorus America’s 2014 Conference, conductor Josh Habermann and a cappella pioneer Deke Sharon talked about new trends in vocal music and breaking down boundaries between the classical and pop worlds.

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