This practical resource for choruses provides guidance on collaborating successfully with orchestras, based on conversations with more than 30 artistic administrators. Originally published in 2004, the report was reviewed and republished in 2013.
Considering a strategic alliance? You might also want to consider these best practices drawn from the major findings of the Mendelssohn Club's Strategic Alliances study featured in the article "The Art of Strategic Alliances" by Matthew Sigman.
Many choral directors take on administrative responsibility with little formal preparation. Here are strategies to excel in the office and boardroom as well as the concert hall.
When do partnerships add value and when do they distract from a chorus’s mission? Philadelphia’s venerable Mendelssohn Club explores the spectrum of collaboration, from artistic to administrative.
Justin Montigne, a professional choral singer, voice teacher, and registered yoga teacher, teaches workshops, classes, and private lessons in the Bay Area and around the country. His interest in the free and easy alignment of body and instrument led him to yoga, which helped revolutionize his singing and teaching.
Chorus America's annual survey of the operations of choruses, the Chorus Operations Survey Report includes more than 40 different analyses, from number of board meetings to board giving, from ticket pricing to chorus dues amounts, from accompanist pay practices to marketing efficiency. The 2012 report features data from the 2010-2011 season.
It's really the staff's job to position the board to do their best work―and most of that boils down to excellent communication and clarity of expectations.
How chorus leaders can use the principles of organizational culture to implement change and get the best results for their organizations
DC's "dean" of choral conductors steps down and reflects on a career that spanned a half century in the U.S. capital
The experience of several professional core choruses demonstrates there are ways to gracefully handle the inherent tension that arises when paid singers are brought on board in a mostly volunteer ensemble. Here are eight tips from managers, conductors, and volunteer singers who have been through this process.