In this issue of the Research Memorandum Series, Dr. Sean Linfors provides a brief history of Stephen Paulus’ compositional career, discusses some of his most beloved pieces, and catalogs Paulus’ complete choral works.
Compiled by Dr. Jennifer Flory and Meagan W. Johnson, this issue highlights literature for treble choirs written by American composers in the last 30 years. The index is sorted by composer and will eventually be incorporated into a larger and more inclusive online database.
Chorus America’s Commission Consortiums bring choruses of all sizes and from around the United States and Canada together to bring new repertoire to life from beloved and acclaimed composers. The tradition of over ten years has brought pieces that highlight America’s cultural diversity, the impact of youth in the world, and many other themes – in 2022, the tradition continues with the offering of compositions celebrating Latin American music from composers Cristian Grases and Suzzette M. Ortiz.
On April 7, 2022, at Lincoln Center's Alice Tully Hall in New York City, the University of Michigan Men's Glee Club will give the world premiere of To Repair, a multi-movement work reflecting on what is necessary to bring repair to Black communities in America written by composer and educator Tesfa Wondemagegnehu.
As this article is published, votes are still being counted in the 2020 United States general election - though for months now, the choral field has been using the power of our art to encourage the public to make their voices heard in this much-anticipated event. Our Chorus Impact Study has consistently found that choristers exhibit remarkably high levels of civic leadership, and the projects of these choruses and composers certainly live up to those research findings.
“Awake! Awake! Ye sisters all,” is the opening line to the “Suffrage Marching Song,” by Fanny Connable and Florence Livingston Lent, composed in 1914 to benefit the Equal Suffrage Cause. Like many political movements, the suffrage movement was inherently linked with music, making the 2020 centennial of the 19th Amendment’s ratification a natural programmatic theme. Choruses across the U.S. are honoring this anniversary with new events and commissions featuring women’s voices, including premieres happening this weekend.
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There can be serendipity in the most challenging change of plans. The Master Chorale of South Florida was scheduled for a prime performance at the 2020 Chorus America Conference in Miami -- an ideal setting to premiere a commission from composer Jake Runestad. With a global coronavirus pandemic putting a halt to choral events and most of everyday life as we know it, this performance obviously did not come to fruition.
Instead, the Master Chorale and artistic director Brett Karlin discovered they possesed a brand new work that spoke with uncanny eloquence to our new reality -- and the opportunity to premiere it with the involvement of a wider community of audience members, renowned conductors, and singers than they ever imagined. Karlin and Runestad shared their stories with Chorus America on the journey of this new commission, As Long As We Are Here, which enters a new chapter this fall.
In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. Among countless affected performances during the onset of the coronavirus pandemic were eagerly anticipated world premieres—works such as Damien Geter’s African American Requiem with Portland, Oregon’s Resonance Ensemble (for more, see Secular Requiems) that explore timely and meaningful topics and involve collaborations, often spanning long periods, distances, or both. We asked several choruses about their premieres that were put on hold and their developing plans to find a way to share these new pieces of music with the world.
In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. This section spotlights composers who have risen to the moment by creating new work in direct response to the pandemic, some in unique fashions.