This final issue before the American Choral Review transfers to a new home at the National Collegiate Choral Organization features a study of Bach’s use of rhetorical devices in Cantata Ich hatte viel Bekummnernis, BWV 21 and an interview with two singers from the ensemble New York Polyphony.
This edition of the American Choral Review focuses on the discipline and practice of conducting.
The lead article documents Shaw’s early years and his rise as a professional conductor with FredWaring and the Pennsylvanians, as well as his process of developing an understanding of choral music as an art. The issue also includes reviews of the documentary Robert Shaw: Man of Many Voices and a recent recording of Beethoven's Missa Solemnis by the Bach Collegium Japan.
Understanding more about choral conducting as an occupation can help choral conductors plan their careers and choral leaders make better decisions. This report uses data drawn from the survey responses of more than 600 conductors to examine conductors' career paths, training, responsibilities, salaries, and more. The full report highlights both important challenges and reasons to feel confident about the health of the profession, as well as updating and tracking data from Chorus America's first choral conductor survey over a decade ago.
This sample administrative job description can help you define a new or existing role for an executive or managing director.
This detailed succession plan template walks you through the process of selecting a new artistic leader. It offers best-practices, a step-by-step guide and templates for important documents.
SPONSORED STORY FROM A CHORUS AMERICA PARTNER
Music education - and inspiring a new generation of singers - is central to the mission of Albany Pro Musica, which has been elevating choral music in New York's Capital Region since 1981. Now, the chorus is embarking on its largest educational project yet, launching the inaugural Pro Musica International Choral Festival to be held in the summer of 2023. In partnership with the Isabel Bader Centre for the Performing Arts at Queen’s University in Ontario and the University at Albany, this new festival will bring students across the U.S. and Canada together to study and perform with distinguished faculty and world-class musicians. Thanks to a generous grant from Bader Philanthropies, Inc., the costs of tuition, room, and board are fully covered for every participating student.
With its longstanding commitment to working with young singers, Albany Pro Musica understands the value of bringing in a top-notch faculty to engage with the students, including one person with whom the Chorus America community is certainly familiar. We asked Rollo Dilworth, our current board member and past chair, a few questions about the inaugural festival, where he will serve as festival guest conductor and composer, and direct the closing performance including a new work commissioned from him for the festival.
SPONSORED CONTENT FROM A CHORUS AMERICA PARTNER
In the upcoming season, The Washington Chorus (TWC) looks not only to meet the challenge of planning in a world dealing with COVID-19, but to do so while welcoming a new incoming artistic director. Eugene Rogers, who takes the artistic helm of TWC while continuing in his role as director of choral activities at the University of Michigan, shared his thoughts with Chorus America on the unique challenges and opportunities ahead for him, his new ensemble, and the choral community.
Several choral music organizations find themselves seeking or transitioning to new artistic leaders at a time when shifting circumstances call on them to consider challenging new directions, not the least of which is the COVID-19 pandemic. In light of these challenges, what are choruses in transition thinking about the kind of leadership they need? How do they manage to find it? How will they and their new artistic directors define and achieve success next season, not to mention seasons beyond?