Music director and radio host Tom Hall remembers his friend and colleague, jazz musician Dave Brubeck, who passed away just short of his 92nd birthday.
Justin Montigne, a professional choral singer, voice teacher, and registered yoga teacher, teaches workshops, classes, and private lessons in the Bay Area and around the country. His interest in the free and easy alignment of body and instrument led him to yoga, which helped revolutionize his singing and teaching.
In Detroit, music and arts organizations are pooling their resources to buy management expertise. That's how Erica Battle, a certified public accountant, stepped into her position as executive director of the Detroit Children's Choir. Here she talks with Chorus America about the shared services model that has been successful in Detroit, her new role, and her recent experience at October's Chorus Management Institute.
One Voice Mixed Chorus, Minnesota's gay, lesbian, bisexual, transgender and allies chorus, is committed to building community and creating social change. The group's music director, Jane Ramseyer Miller, talked with Chorus America about how their mission propelled a unique outreach to public school students in the Twin Cities.
Brooks Firestone was looking for an activity that would enliven his retirement years. Little did he know that choral singing would become his passion. Chorus America asked him to describe his unlikely journey.
Choral conductor and composer/arranger Roland Carter has a passion for finding and performing the rich array of choral music from the African American tradition. While at the 2012 Chorus America Conference in Minneapolis, Chorus America talked with Carter about his life and work.
Artistic director of the Mid-Columbia Mastersingers since 2008, Justin Raffa has spearheaded a series of outreach programs within the Tri-Cities’ Latino community.
This peripatetic Jenny Appleseed of melody continues to traverse the country as a distinguished teacher, coach, conductor, and advocate for words and melody
Many young professionals lose the choral experience they loved in school. KellyAnn Nelson and Christopher Eanes hit on a surefire draw: Invite 20- and 30-somethings to rehearse and perform in a local bar.