Singing or conducting technique - "Vocal Hacks"
This final issue before the American Choral Review transfers to a new home at the National Collegiate Choral Organization features a study of Bach’s use of rhetorical devices in Cantata Ich hatte viel Bekummnernis, BWV 21 and an interview with two singers from the ensemble New York Polyphony.
This edition of the American Choral Review focuses on the discipline and practice of conducting.
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The practice of Feldenkrais can help singers perform with minimum effort and maximum efficiency. In this video, Feldenkrais practitioner Karen Clark demonstrates how to train the powerful tongue muscle to cooperate with rather than hinder the singing process.
Believing that the chorus was a corporate entity with a spirit of kinship, famed conductor Robert Shaw used the warm-up period to focus on matters of tuning, tone color, ensemble blend, acoustical conditions, and development of the dynamic palette. We've compiled several of his warm-ups.
Sisters Emily and Amelia Nagoski are the authors of Burnout: The Secret to Unlocking the Stress Cycle, a book that explores how we experience stress physically, mentally, and emotionally, and what strategies we can use to process it, both inside and out. In exploring this topic, the sisters bring to bear their own perspectives, Emily as a researcher with a PhD in health behavior and Amelia as a choral conductor.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Each month, Chorus America profiles one of our members in our Meet A Member interview series. To mark the season of giving, we often change things up a little bit for December by speaking with Chorus America donors. This year, we spoke to Hussein Janmohamed and Joan Szymko, the two composers donating compositions for Chorus America’s 2018 Commission Consortiums.
A community chorus is held together by its singers’ commitment to each other and to the group. But what happens when a volunteer singer becomes disruptive to that community spirit—and won’t comply with repeated requests to change their ways? Does your chorus have a carefully spelled-out dismissal procedure, or do you handle things on a case-by-case basis? Or are you sitting there crossing your fingers and hoping it won’t happen, because there is no precedent in recent memory?
This webinar will provide participants with an overview of specific anatomic, physiologic, and technical issues for singers of all ages. Voice pathologist and singing voice specialist Wendy LeBorgne will explore health and wellness practices and vocal exercises. Participants will come away from this session with increased knowledge related to vocal health and wellness, along with tips for voice maximization for all singers.
Thanks for your interest. You must be a Chorus America member (or derive membership benefits from your relationship to a member organization) to view this content.
If you are currently a member, please log in or create a site user account for access to members-only content. If you are not currently a member, We invite you to join to access all Chorus America’s resources and benefits.
Music is an emotional medium, yet we often spend rehearsal time in our choirs focused on notes, rhythms, and precision, rarely addressing the meaning of the music, says arranger and producer Deke Sharon. In the new book The Heart of Vocal Harmony: Emotional Expression in Group Singing, Sharon puts the process of delivering an emotionally compelling performance front and center.
